One-click poses, saved angles and full camera control

The pose library

Each pose moves the camera to a set angle around the piece and frames the whole model automatically, so the same pose gives the same view on every product. That keeps every angle consistent across a collection.

• Classic views. Original, stand up, lay flat on its side or back, lay down front or back, tilt up or down 45°, stand right, left or back, upside down, three-quarter front right and left, lay flat at 45° right and left, and stand tilted right or left.
• Touch poses. Natural rest, face down and face up, three quick camera angles that look at the piece from a low three-quarter view, from high above and from below.
• Extended angles. Top-down and near eye-level views in 45° steps all the way around the piece, plus three views from below, for perfectly even turnarounds.

If a piece needs to face another way, the Rotation sliders in the Position panel turn the model itself, and every pose then works from that new orientation.

Save your own poses

When none of the presets is exactly right, set the angle yourself and save it as a custom pose. Saved poses are the backbone of a consistent catalogue, because you can return to the same angle with one click instead of rotating by eye. Poses always frame the whole piece, so for a tight detail shot, move in close and export a single image from the live view.

Export every angle at once

The image panel has a Multiple mode. Select the poses you want and download one image per pose in a single ZIP file. The video panel works the same way. Its multi-angle mode glides the camera from one saved pose to the next and holds each one, with one to ten seconds per pose.

Precise position and camera controls

The Position panel gives you exact numbers when a click is not enough.

• Position on the X, Y and Z axes to centre the piece.
• Rotation around the X and Y axes for fine angles.
• Scale to make a small stud and a large pendant fill the frame the same way.
• Distance to move the camera closer or further away.
• Field of view to control perspective. The studio starts at a narrow 25°, close to a macro lens, which keeps rings from looking stretched.

Turntable and auto-rotate

Switch on auto-rotate to spin the piece while you check it from every side. Speed is adjustable. It is the quickest way to spot a missing prong, a gap in a pavé row or a stone that did not get a gem material.

Recommended angles by jewelry type

Our guide to ring photography angles explains why each of these works and how many to use per listing.

Angles for every stage of the sale

Different moments in a sale need different views. Before casting, a customer approving a custom design wants to see the setting from above and the profile from the side, because those decide comfort and stone security. On a product page, buyers want a hero angle that flatters the piece, then the details. In an ad or a social post, one dramatic angle with strong light is usually enough. Save a small set of poses for each purpose and reuse them as you work through a collection, so every product gets the same angles. Note those angles in your shot list too, so anyone on your team can rebuild them and produce matching images.

Tips for professional framing

1. Keep the field of view narrow. Wide angles distort jewelry. Stay close to the default unless you want a dramatic effect.
2. Use the same distance for every product in a collection, so pieces look the right size next to each other. If scale matters for your buyers, read how to show jewelry scale.
3. Show the profile. Buyers want to know how high a setting sits. One side view answers that question.
4. Name your saved poses clearly, such as front, top or side, and use the same names in your shot list, so anyone on your team can rebuild the shot.